![]() From there, Michaels released two more EPs (2019’s Inner Monologue Part 1 and 2), appeared on soundtracks for HBO’s Girls and 2018’s Fifty Shades Freed, and was the opening act for Shawn Mendes, Maroon 5 and Keith Urban. Her open discussions of trust issues, coping with anxiety, or learning to accept her body’s flaws stem from real-life conversations and ex-boyfriends, as well as artist inspirations like Juliet Simms, Paramore, and - her favorite - Fiona Apple.īut she’s also an artist in her own right, dropping her first single “Issues” from 2017’s major-label debut EP Nervous System. That vulnerability is also found on her mammoth hits for other artists whose aim is to be more personal, where Michaels’ role as a songwriter doubles as a counselor. Michaels is sort of a paradox: Her lyrics are deeply intimate to the point where you almost feel like you’re intruding, while simultaneously relating to nearly every verse. Her lyrics read like the most personal pages of her diary, and that jolt of honesty is what led to her crafting tunes for the likes of Justin Bieber (“Sorry”), Selena Gomez (her Revival and Rare albums), Gwen Stefani (“Used To Love You”), Nick Jonas (“Close”) and Dua Lipa (“Pretty Please”). Michaels leapt from writing poetry at age 12 to transforming into one of pop’s go-to songwriters. Just like 19th-century art aims to truthfully represent their subjects without artificiality, her music reflects her rawest form. Not many people can execute pop music realism like Julia Michaels. We’ve Got A File On You features interviews in which artists share the stories behind the extracurricular activities that dot their careers: acting gigs, guest appearances, random internet ephemera, etc.
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