![]() The notes can often be transmitted to a MIDI sequencer for recording and further editing. Wikipedia's definition of synthesizer includes this fine description of an arpeggiator:Īn arpeggiator is a feature available on some synthesisers that automatically steps through a sequence of notes based on an input chord, thus creating an arpeggio. A device that acts upon a chord in this manner is known as an arpeggiator. The order of the chord notes in this succession may follow a strict set of rules or they may be played in purely random sequence. This week I begin a 2-part review of similar applications called arpeggiators.Īn arpeggio is a musical technique whereby the notes of a chord are played in succession rather than all at once. Regardless, using Scaler recursively is a lot of fun and is an unending source of those intentional happy accidents.In my last article I looked at performance loopers for Linux. You may need to do a little quantizing as well. Some of the midi is usable as is, while some can be thinned or stripped off and applied to things like bass lines or percussion. It will take some trial and error, but cycling Scaler back through itself can create some pretty interesting and engaging content. Start simple, be patient, learn what the different settings do, and expect the unexpected.Try tweaking various Perform settings like Expressions or Quantize one at a time ( you can use your computer keyboard to do this). ![]() Try starting with a x.05 playback speed sequence and then feeding the output back through Scaler while toggling Perform mode and Binding on and off.PERFORM and Bind are the macro contributors to playback results, but each setting can make a difference.Adjusting playback settings is the key to getting interesting and unexpected results.Feeding Scaler it’s own output will let you combine and refactor well formed musical pieces in new and interesting ways This is not about generating a bunch of random notes.Feeding Scaler it’s own output can generate some cool stuff and some less than cool stuff. ![]() Here is a thread on the topic, but in summary: The Art and Science of Recursion - notes on playing Scaler playback midi back through Scaler Those settings will determine if you hear music or something approximating music. Now when you hit play in Studio One, Scaler will take that midi and play it using the current Scaler settings.Set you Instrument Input to All Inputs - E.Set your Instrument Output to Scaler - D. ![]() (On the same track of a second track with Scaler VST loaded) Scaler Record Routing - Studio One 5 Pro (To record Scaler raw midi and the adjustments made within Scaler in real time) (Another option is to setup 2 Scaler tracks (record / play) and utilize Scaler’s Synch feature) This requires swapping between 2 different routing setups (what I’ll refer to as Scaler Record / Scaler Playback), but I found it a small price to pay for the quick turn around. (For some reason, my keen sense of the obvious failed me this time.) However, there is an easier, more direct way that I just missed. As an avid Studio One user however, I was always a bit stumped when I wanted to capture the resulting midi, usually relying on Scalers great midi capture function or some rendering gymnastics w/in S1. I rely heavily on tweaking Scaler’s playback adjustments (while Scaler is playing) to induce large and small changes in how Scaler performs it’s magic. If not, congrats on having a better grasp of the apparent than I did. Have you ever wanted to record Scaler’s raw midi while you adjust it’s playback or Pad settings in real time, but found the process to be a bit…shall we say…opaque? If so, read on. While this post is about Studio One routing, the broader topic of real-time capturing and potentially re-processing raw Scaler midi is DAW independent
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